reOrder consists of huge fabric sculptures made of flat, round frames with heavy white fabric folded and stretched from one circular frame to another below it, at varying heights and diameters. Each fabric monolith appears lit from within with a slightly blue-toned light, so that they all give off a luminescent, mystical glow. They're set up in the 10,000-square-foot hall on the first floor, which is capped with a flat glass roof. The small, green-tinted panes of glass that checker the ceiling pair perfectly with the luminescence of the exhibit, and only add to the otherworldly environment.
Each structure is rooted to the floor with heavy-looking white bases, some of which have a bulbous protrusion encircling it at just the right height to use as a bench (which museum-goers were only too happy to do). The clunky bases coupled with the light umbrellas give the installation an overall feeling of being ethereal yet solid at the same time, an effect made all the more pronounced when standing in the center of the hall, craning one's neck upward at these floating, oversized sunshades surrounding you on all sides. It was like walking through a sparkling white forest, and felt, in a word, magical.
For you architects out there, the Museum is also displaying videos of the building process and the installation and assemblage of the exhibit within the hall, sped up into time-lapse clips. It's fascinating, to say the least (and can also be viewed on the Brooklyn Museum's website).
Whatever you do, do not miss this exhibit. (It'll be on display for 10 months, so you've got no excuse not to go!)
You can find more information on this and other exhibits at brooklynmuseum.org.
And here are some photos I took (which, due to my camera's increasing quasi-brokenness, don't really do the site justice):
Everybody go to the museum!
Thanks, crummy camera, for making this shot blurry.
This dad and his daughter were really sweet. Start 'em young (art lovers, that is)!
The right outer wall.
The left outer wall.